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Gabrieli Andrea:     more books (100)

Ricercari by Andrea Gabrieli - Score, 2010-01-01 Drei Motetten zu 8 Stimmen. Herausgegeben von Denis Arnold (Das Chorwerk) by Andrea Gabrieli, 1965 Ricercar sopra Pour ung plaisir, No. 9 from "Canzoni Alla Francese et Ricercari Ariosi" Sheet Music by Andrea Gabrieli, 2009-07-28 Ricercar sopra Orsus au coup, No. 7 from "Canzoni Alla Francese et Ricercari Ariosi" Sheet Music by Andrea Gabrieli, 2009-07-28 Ricercar arioso (I), No. 10 from "Canzoni Alla Francese et Ricercari Ariosi" Sheet Music by Andrea Gabrieli, 2009-07-28 Canzona Sheet Music by Andrea Gabrieli, 2009-08-02 Pour ung plaisir, No. 8 from "Canzoni Alla Francese et Ricercari Ariosi" Sheet Music by Andrea Gabrieli, 2009-07-28 Cantate Domino (Motetto), No. 9 from "Ricercari 2" Sheet Music by Andrea Gabrieli, 2009-07-28 Five Ricercare in four Parts. For brass or recorders. < Ed. R. P. Block. > [Score and parts.] by Andrea Gabrieli, 1979 Complete Madrigals 1 (Recent Researches in the Music of the Renaissance, Vol. XLI) (English and Italian Edition) by Andrea Gabrieli, 1981-09 Ten Madrigals for Mixed Voices by Andrea Gabrieli, 1985-03-21 Frais et gaillard, No. 3 from "Canzoni Alla Francese et Ricercari Ariosi" Sheet Music by Andrea Gabrieli, 2009-07-28 Preludio Sheet Music by Andrea Gabrieli, 2010-02-11 Ricercari by Andrea Gabrieli, 2009-09-01

lists with details

41. Gabrieli, Andrea
    Translate this page gabrieli, andrea. (v. 1510-1586), compositeur vénitien qui connut son heure degloire dans la période transitoire qui allait de la Renaissance au baroque.  
    http://www.cartage.org.lb/fr/themes/Biographies/mainbiographie/G/GabrielliA/01.h

42. Gabrieli, Andrea
    people/A0819955.html. encyclopediaEncyclopedia gabrieli, andrea, ändre'ägäbrEA'lE Pronunciation Key. gabrieli, andrea , c. 1510  
    http://print.factmonster.com/ce6/people/A0819955.html
    
    Extractions: Pronunciation Key Gabrieli, Andrea c. 1510 , Italian organist and composer; possibly a pupil of Adrian Willaert. In 1536 he was a chorister at St. Mark's Cathedral, Venice, where, in 1566, he became organist at the second organ. He composed madrigals, motets, masses, and ricercari and canzones for organ. He was important in the development of multiple-choir technique, and he was the teacher of Hans Leo Hassler and of his nephew Giovanni Gabrieli [j O E concerto style, i.e., differentiation of choral and solo ensembles. His Sonata pian'e forte (pub. in Sacrae symphoniae, 1597), the first piece of printed instrumental music containing dynamic indications, and the indication of specific instrumentation in his posthumously published works represent the beginnings of modern orchestration. See studies by E. F. Kenton (1967) and D. Arnold (1979).

43. Www.lib.cwu.edu/music/recent_res/renaissance.txt
    V.40 FLORENTINE FESTIVAL MUSIC 14801520. EDITED BY JOSEPH J. GALLUCCI,JR. V.41 gabrieli, andrea. COMPLETE V.42 gabrieli, andrea. COMPLETE  
    http://www.lib.cwu.edu/music/recent_res/renaissance.txt
    
    Extractions: RECENT RESEARCHES IN THE MUSIC OF THE RENAISSANCE A-R EDITIONS INC. UPDATED 1/25/98 M/2/R2384 V.1 ASOLA, GIAMMATEO. SIXTEEN LITURGICAL WORKS. EDITED BY DONALD M. FOUSE. V.2 ROGIER, PHILIPPE. ELEVEN MOTETS. EDITED BY LAVERN J. WAGNER. V.3 TYE, CHRISTOPHER. THE INSTRUMENTAL MUSIC. EDITED BY ROBERT W. WEIDNER. V.4 TOMKINS, THOMAS. THIRTEEN ANTHEMS. EDITED BY ROBERT W. CAVANAUGH. V.5 NANINO, GIOVANNI MARIA. FOURTEEN LITURGICAL WORKS. EDITED BY RICHARD J. SCHULER. V.6 CORTECCIA, FRANCESCO. ELEVEN WORKS TO LATIN TEXTS. EDITED BY ANN MCKINLEY. V.7 HANDL, JACOB. THE MORALIA OF 1596. PART I. EDITED BY ALLEN B. SKEI. V.8 HANDL, JACOB. THE MORALIA OF 1596. PART II. EDITED BY ALLEN B. SKEI. V.9-10 TURNHOUT, GERARD DE. SACRED AND SECULAR SONGS V.9 FOR THREE VOICES. PART I. EDITED BY LAVERN J. WAGNER. V.9-10 TURNHOUT, GERARD E. SACRED AND SECULAR SONGS FOR V.10 THREE VOICES. PART II. EDITED BY LAVERN J. WAGNER. V.11 MANCHICOURT, PIERRE DE. TWENTY-NINE CHANSONS. EDITED BY MARGERY ANTHEA BAIRD. V.12 WHITE, ROBERT. THE INSTRUMENTAL MUSIC. EDITED BY IRWIN SPECTOR. V.13 TYE, CHRISTOPHER. THE LATIN CHURCH MUSIC. PART I: THE MASSES. EDITED BY JOHN SATTERFIELD. V.14 TYE, CHRISTOPHER. THE LATIN CHURCH MUSIC. PART II: THE SHORTER LATIN WORKS. EDITED BY JOHN SATTERFIELD. V.15 ROSSETTI, STEFANO. SACRAE CANTIONES. EDITED BY ALLEN B. SKEI. V.16-17 SIXTEENTH-CENTURY BICINIA: A COMPLETE EDITION OF MUNICH, BAYERISCHE STAATSBIBLIOTHEK, MUS. MS. 260. EDITE BY BRUCE BELLINGHAM AND EDWARD G. EVANS, JR. V.18 PRAETORIUS, HIERONYMUS. POLYCHORAL MOTETS. PART I: SIX MOTETS FOR TWO CHOIRS. EDITED BY FREDERICK K. GABLE. V.19 PRAETORIUS, HIERONYMUS. POLYCHORAL MOTETS. PART II: FIVE MOTETS FOR THREE CHOIRS. EDITED BY FREDERICK K. GABLE. V.20 BANCHIERI, ADRIANO. CANZONI ALLA FRANCESE (OF 1596). EDITED BY LELAND BARTHOLOMEW. V.21-22 THE LYONS CONTRAPUNCTUS (1528). PART I. V.21 EDITED BY DAVID A. SUTHERLAND. V.21-22 THE LYONS CONTRAPUNCTUS (1528). PART II. V.22 EDITED BY DAVID A. SUTHERLAND. V.23 HOYOUL, BALDUIN. CHORALE MOTETS. EDITED BY DANIEL T. POLITOSKE. V.24 ROSETUM MARIANUM (1604). COLLECTED BY BERHARD KLINGENSTEIN. PART I. EDITED BY WILLIAM E. HETTRICK. V.25 ROSETUM MARIANUM (1604). COLLECTED BY BERNHARD KLINGENSTEIN. PART II. EDITED BY WILLIAM E. HETTRICK. V.26 ROSSETTI, STEFANO. IL PRIMO LIBRO DE MADREGALI A QUATTRO VOCI. EDITED BY ALLEN B. SKEI. V.27 MALVEZZI, CRISTOFANO, JACOPO PERI, ANNIBALE PADOVANO. ENSEMBLE RICERCARS. EDITED BY MILTON A. SWENSON. V.28-29 FOSSA, JOHANN DE. THE COLLECTED WORKS. EDITED BY EGBERT M. ENNULAT. V.30 WILLAERT, ADRIAN, AND HIS CIRCLE. CANZONE VILLANESCHE ALLA NAPOLITANA AND VILLOTTE. EDITED BY DONNA G. CARDAMONE. V.31 VIVANCO, SEBASTIAN DE. THREE MASSES. EDITED BY ENRIQUE ALBERTO ARIAS. V.32 RUFFO, VINCENZO. SEVEN MASSES. PART I: THREE EARLY MASSES EDITED BY LEWIS LOCKWOOD. V.33 RUFFO, VINCENZO. SEVEN MASSES. PART II: FOUR LATER MASSES EDITED BY LEWIS LOCKWOOD. V.34 KEYBOARD INTABULATIONS OF MUSIC BY JOSQUIN DES PREZ. EDITED BY THOMAS WARBURTON. V.35 LEISE SETTINGS OF THE RENAISSANCE AND REFORMATION ERA. EDITED BY JOHANNES RIEDEL. V.36 FRENCH CHANSONS FOR THREE VOICES (CA. 1550). PART I: THREE-PART CHANSONS PRINTED BY GARDANE (1541). EDITED BY COURTNEY S. ADAMS. V.37 FRENCH CHANSONS FOR THREE VOICES (CA. 1550). PART II: THREE-PART CHANSONS PRINTED BY GARDANE (1543) AND THE TIERS LIVRE DE CHANSONS PRINTED BY LEROY AND BALLARD(1553) EDITED BY COURTNEY S. ADAMS. V.38 THIRTY-SIX CHANSONS BY FRENCH PROVINCIAL COMPOSERS (1529-1550). EDITED BY LETA E. MILLER. V.39 LE MAISTRE, MATTHEUS. CATECHESIS AND GESENGE. (OR, CATECHESIS NUMERIS MUSICIS INCLUSA AND SCHONE UND AUSERLESENE DEUDSCHE UND LATEINISHCE GEISTLICHE GESENGE.) EDITED BY DONALD GRESCH. V.40 FLORENTINE FESTIVAL MUSIC 1480-1520. EDITED BY JOSEPH J. GALLUCCI, JR. V.41 GABRIELI, ANDREA. COMPLETE MADRIGALS 1. MADRIGALS OF LIBRO PRIMO A 3, CANZONE OF PETRARCH A 3, GIUSTINIANE A 3 EDITED BY A. TILLMAN MERRITT. V.42 GABRIELI, ANDREA. COMPLETE MADRIGALS 2. MADRIGALS A 4, GREGHESCHE A 4, 5, AND 7. EDITED BY A. TILLMAN MERRITT. V.43-44 GABRIELI, ANDREA. COMPLETE MADRIGALS 3-4. MADRIGALS OF THE PRIMO LIBRO A 5, MADRIGALS OF THE SECONDO LIBRO A 5 (BEGINNNING). EDITED BY TILLMAN MERRITT. V.45-46 GABRIELI, ANDREA. COMPLETE MADRIGALS 5-6. MADRIGALS OF THE SECONDO LIBRO A 5 (CONCLUSION), MADRIGALS OF THE TERZO LIBRO A 5, OTHER MADRIGALS A 5. EDITED BY TILLMAN MERRITT. V.47-48 GABRIELI, ANDREA. COMPLETE MADRIGALS 7-8. MADRIGALS OF THE PRIMO LIBRO A 6. EDITED BY A TILLMAN MERRITT. V.49-50 GABRIELI, ANDREA. COMPLETE MADRIGALS 9-10. MADRIGALS OF THE SECONDO LIBRO A 6, OTHER MADRIGALS A 6, MADRIGALS A 7 EDITED BY TILLMAN MERRITT. V.51 GABRIELI, ANDREA. COMPLETE MADRIGALS 11. MADRIGALS A 8. EDITED BY TILLMAN MERRITT. V.52 GABRIELI, ANDREA. COMPLETE MADRIGALS 12. MADRIGALS A 10, MADRIGALS A 12. EDITED BY TILLMAN MERRITT. V.53 THREE MASS PROPER CYCLES FROM JENA 35. EDITED BY ROBERT E. GERKEN. V.54 DAZA, ESTEBAN. THE FANTASIES FOR VIHUELA. EDITED BY JOHN GRIFFITHS. V.55 LASSO, ORLANDO DI. TWO MOTET CYCLES FOR MATINS FOR THE DEAD EDITED BY PETER BERGQUIST. V.56 MODULI UNDECIM FESTORUM. EDITED BY J. HEYWOOD ALEXANDER. V.57-58 FERRETTI, GIOVANNI. IL SECONDO LIBRO DELLE CANZONI A SEI VOCI. (1575). EDITED BY RUTH I. DEFORD. V.59 SELECTED INTROITS FROM LEIPZIG 49/50 (1558). EDITED BY LAURA YOUENS. V.60 PEVERNAGE, ANDRE. THE COMPLETE CHANSONS. CHANSONS . . . LIVRE PREMIER . . . (1589). EDITED BY GERALD R. HOEKSTRA. V.61 PEVERNAGE, ANDRE. THE COMPLETE CHANSONS. LIVRE SECOND DES CHANSONS . . . (1590). EDITED BY GERALD R. HOEKSTRA. V.62 PEVERNAGE, ANDRE. THE COMPLETE CHANSONS. LIVRE TROISIEME DES CHANSONS . . . (1590). EDITED BY GERALD R. HOEKSTRA. V.63-64 PEVERNAGE, ANDRE. THE COMPLETE CHANSONS. LIVRE QUATRIEME DES CHANSONS . . . (1591), OTHER CHANSONS. EDITED BY GERALD R. HOEKSTRA. V.65 THE TUDOR CHURCH MUSIC OF THE LUMLEY BOOKS. EDITED BY JUDITH BLEZZARD. V.66-67 ROSSETTI, STEFANO. MADRIGALS FOR THREE TO EIGHT VOICES. EDITED BY ALLEN B. SKEI. V.68 SELECTED CHANSONS FROM BRITISH LIBRARY, MS ADDITIONAL 35087. EDITED BY WILLIAM M. MCMURTRY. TEXTS ESTABLISHED AND TRANSLATED BY ARTHUR J. GIONET. V.69 FAYRFAX, ROBERT. SACRED MUSIC FROM THE LAMBETH CHOIRBOOK. EDITED BY MARGARET LYON. V.70-71 STRIGGIO, ALESSANDRO. IL PRIMO LIBRRO DE MADRIGALI A SEI VOCI. EDITED BY DAVID S. BUTCHART. V.72 VECCHI, ORAZIO. BATTAGLIA D'AMOR E DISPETTO AND MASCHERATA DELLA MALICONIA ET ALLEGREZZA. EDITED BY DAVID NUTTER. V.73 MAILLARD, JEAN. MODULORUM IOANNIS MAILLARDI . . . . THE FOUR-PARTN MOTETS. EDITED BY RAYMOND H. ROSENSTOCK. V.74 LE JEUNE, CLAUDE. DODECACORDE COMPRISING TWELVE PSALMS OF DAVID SET TO MUSIC, ACCORDING TO THE TWELVE MODES PART I. EDITED BY ANNE HARRINGTON HEIDER. V.75 LE JEUNE, CLAUDE. DODECACORDE COMPRISING TWELVE PSALMS OF DAVID SET TO MUSIC, ACCORDING TO THE TWELVE MODES. PART II. EDITED BY ANNE HARRINGTON HEIDER. V.76 LE JEUNE, CLAUDE. DODECACORDE COMPRISING TWELVE PSALMS OF DAVID SET TO MUSIC, ACCORDING TO THE TWELVE MODES. PART III. EDITED BY ANNE HARRINGTON HEIDER. V.77 THE COMBINATIVE CHANSON. AN ANTHOLOGY. EDITED BY MARIA RIKA MANIATES. V.78-81 SETTINGS OF "ARDO SI" AND ITS RELATED TEXTS, PART I AND II. EDITED BY GEORGE C. SCHUETZE. V.82-83 ORLANDO DI LASSO, ET. AL. CANZONI VILLANESCHE AND VILLANELLE. EDITED BY DONNA G. CARDAMONE. V.84-85 CAIMO, GIOSEPPE. MADRIGALI AND CANZONI, FOR FOUR AND FIVE VOICES. EDITED BY LETA E. MILLER. V.86-87 LASSO, ORLANDO DI. THE SEVEN PENTITENTIAL PSALMS AND LAUDATE DOMINUM DE CAELIS. EDITED BY PETER BERGQUIST. V.88 WAELRANT, HUBERT. IL PRIMO LIBRO DE MADRIGALI E CANZONI FRANCEZI, FOR FIVE VOICES. EDITED BY GERALD HOEKSTRA. V.89 THE RICERCARS OF THE BOURDENEY CODEX; GIACHES BRUMEL, FABRIZIO DENTICE, AND ANONYMOUS. SCORE EDITED BY ANTHONY NEWCOMB. V.90-91 MERULO, CLAUDIO. CANZONI D'INTAVOLATURN D'ORGANO. EDITED BY WALKER CUNNINGHAM AND CHARLES MCDERMOTT. V.92 VECCHI, ORAZIO. THE FOUR-VOICE CANZONETTAS. PART I- HISTORICAL INTRODUCTION, CRITICAL APPARATUS, TEXTS, CONTRAFACTA. EDITED BY RUTH I. DEFORD. V.93 VECCHI, ORAZIO. THE FOUR-VOICE CANZONETTAS. PART II- THE MUSIC. EDITED BY RUTH I. DEFORD. V.94 DIVITIS, ANTONIUS. COLLECTED WORKS. INCLUDES MASSES, MAGNIFICATS, MOTETS, AND CHANSON. EDITED BY B.A. NUGENT. V.95 MAILLARD, JEAN. MODULORUM IOANNIS MAILLARDI. THE FIVE-, SIX-, AND SEVEN-PART MOTETS. PART I. EDITED BY RAYMOND H. ROSENSTOCK. V.96 MAILLARD, JEAN. MODULORUM IOANNIS MAILLARDI. THE FIVE-, SIX-, AND SEVEN-PART MOTETS. PART II. EDITED BY RAYMOND H. ROSENSTOCK. V.97 CASTRO, JEAN DE. CHANSONS, ODES, ET SONETZ DE PIERRE RONSARD (1576). EDITED BY JEANICE BROOKS. V.98 JEUNE, CLAUDE LE. LES CENT CINQUANTE PSEAUMES DE DAVID MIS EN MUSIQUE A QUATRE (ET CINQ) PARTIES. EDITED BY ANNE HARRINTON HEIDER. v.99 THE WANLEY MANUSCRIPTS. PART I. EDITED BY JAMES WRIGHTSON. V.100 THE WANLEY MANUSCRIPTS. PART II. EDITED BY JAMES WRIGHTSON. V.101 THE WANLEY MANUSCRIPTS. PART III. EDITED BY JAMES WRIGHTSON. V.102 LASSO, ORLANDO DI. THE COMPLETE MOTETS 10. THE FOUR- LANGUAGE PRINT FOR FOUR AND EIGHT VOICES (MUNICH, 1573). EDITED BY PETER BERGQUIST. V.103 LASSO, ORLANDO DI. THE COMPLETE MOTETS 11. LIBER MOTTETARUM TRIUM VOCUM (MUNICH, 1575). NOVAE ALIQUOT, AD DUAS VOCES CANTIONES (MUNICH, 1577). EDITED BY PETER BERGQUIST. V.104 VASQUEZ, JUAN. VILLANCICOS I CANCIONES. EDITED BY ELEANOR RUSSELL. v.105 LASSO, ORLANDO DI. THE COMPLETE MOTETS 4. PRIMUS LIBER CONCENTUUM SACRORUM (PARIS, 1564). MODULORUM SECUNDUM VOLUMEN (PARIS, 1565). EDITED BY PETER BERGQUIST. V.106 THE SI PLACET REPERTOIRE OF 1480-1530. EDITED BY STEPHEN SELF. V.107 FESTA, COSTANZO. COUNTERPOINTS ON A CANTUS FERMUS. EDITED BY RICHARD J. AGEE. V.108 SUSATO TIELMAN. MUSYCK BOEXKEN, BOOKS 1 AND 2 (DUTCH SONGS FOR 4 VOICES). EDITED BY TIMOTHY McTAGGART. V.109 LASSO, ORLANDO DI. THE COMPLETE MOTETS 5. QUINQUE ET SEX VOCIBUS PERORNATAE SACRAE CANTIONES (VENICE, 1565). SACRAE CANTIONES, LIBER SECUNDUS, TERTIUS, QUARTUS (VENICE, 1566). EDITED BY PETER BERGQUIST. V.110 LASSO, ORLANDO DI. THE COMPLETE MOTETS 6. MUSIC FOR FOUR TO EIGHT VOICES FROM SELECTISSIMAE CANTINOES (NUREMBERG, 1568). EDITED BY PETER BERGQUIST V.111 LASSO, ORLANDO DI. THE COMPLETE MOTETS 14. SACRAE CANTIONES FOR FOUR VOICES (MUNICH, 1585). EDITED BY DAVID CROOK.

44. Andrea Gabrieli
    directory) in /home/htdocs/hosted/mrbritlinks/chamberlibs/stats_inc.phpon line 57 andrea gabrieli. Born 1510 Died 1586. Compositions.  
    http://www.chambermusic.co.uk/database/composer.php/Gabrieli, Andrea/

45. ( G ), Gabrieli, Andrea, Galuppi, Baldassare, Geminiani, Francesco, Gershwin, Ge
    ( G ), gabrieli, andrea, Galuppi, Baldassare, Geminiani, Francesco, Gershwin, George,Gesualdo, Carlo, Ginastera, Alberto, Glass, Philip, Glazunov, Alexander  
    http://www.eraline.com/data/0_10_1_0_0_1_19383_1_index.html

46. Greghesche A 4, 5, And 7 Andrea Gabrieli Complete Madrigals : Madrigals A 4
    Greghesche a 4, 5, and 7 andrea gabrieli Complete Madrigals Madrigals a 4. Authorandrea gabrieli, Printed 1981. Publisher AR Editions, ISBN 0895791420.  
    http://www.grainger.de/dbe/sbs/gabrielia002.html

47. Ccm Composers-classical-music Com : Gabrieli, Andrea Gabrieli
    home. gabrieli, andrea 15201586 Italy, Venice - Venice. Title, Parts. Gloria. 4Choirs, 16v. 1580, Sento, sent'un rumor ch'al ciel si estolle. Madrigal a 8 voci.  
    http://composers-classical-music.com/g/GabrieliAndrea.htm

48. Andrea Et Giovanni GABRIELI
    Translate this page Retrouvez andrea gabrieli sur gabrieli, andrea (vers 1510 (Venise)- 1586 (Venise)). Elève d'Adrian Willaert à Saint-Marc de  
    http://www.musique-renaissance.com/Gabrieli.htm

49. RTSI - I Programmi Di Rete Due
    Translate this page La Messa degli Apostoli di andrea gabrieli Francesco Cera, organo Graziadio Antegnatidella Collegiata di Bellinzona Ensemble More Antiquo, dir. Giovanni Conti.  
    http://www.rtsi.ch/prog/Rete2/welcome.cfm?mpg=3488

50. Giovanni Gabrieli: His Life And Music
    (Morell, 1999). It would be impossible to write about the life of Giovanni gabrieliwithout including some information about his uncle andrea gabrieli.  
    http://www.personal-copy.com/gabrieli/gabbio.html
    
    Extractions: I t is not known when Giovanni Gabrieli was born. The entry in the register of his death in 1612 claims that he was 56 or possibly 58 years old. This would place his birth around 1555. It is also not known where he was born. Venice is the likeliest place since this is where he spent most of his life. ( Arnold, 1979 p. 1 ) Giovanni's father was Piero di Fais, a linen weaver, and his mother was Paola Gabrieli. ( Morell, 1999 I t would be impossible to write about the life of Giovanni Gabrieli without including some information about his uncle Andrea Gabrieli. Andrea was Giovanni's earliest musical tutor and seems to have"adopted" Giovanni. Andrea also took care of Giovanni's mother (who was Andrea's sister), his three brothers and his two sisters. ( Morell, 1999 A bout 1562, Andrea went to work in Munich at the court of the Duke of Bavaria. ( Arnold, 1979 p. 2 )The musical atmosphere there, where the lavish celebration of worldly events was emphasized, probably contributed to Andrea's great flowering as a composer. Not long after he returned to Venice he became one of the most popular, productive and published composers of his time. In fact, Andrea returned to Venice to be appointed an organist at the Basilica di San Marco D uring the time Andrea was organist, Venetian ceremonial music, both state and religious became grander in scale. The doge was trying to make his

51. My Gabrieli Recordings. T - Z
    andrea gabrieli,Kyrie à 5 1587, 1'59 . 9, andrea gabrieli, Christe à 8 1587, 2'07 .  
    http://www.personal-copy.com/gabrieli/mygabrect.html
    
    Extractions: Track Composer Title Time Bells 0'50" Giovanni Gabrieli Intonazione ottavo tono 0'37" Giovanni Gabrieli 2'51" Introit 3'04" Cesare Bendinelli Sonata 333 MS 1614 1'54" Magnus Thomsen Toccata 1 MS c 1'08" Andrea Gabrieli Intonazione primo tono 1'01" Andrea Gabrieli 1'59" Andrea Gabrieli 2'07" Andrea Gabrieli 3'07" Andrea Gabrieli 5'10" Collect 1'21" Giovanni Gabrieli Intonazione terzo e quarto toni 0'46" Epistle 1'00"t6 Giovanni Gabrieli 4'16" Gospel 1'52" Andrea Gabrieli Intonazione settimo tono 1'11" Giovanni Gabrieli Offertory: Deus qui beatum Marcum 2'55" Preface 2'53" Andrea Gabrieli 4'30" Cesare Bendinelli Fanfare Sarasinetta MS 1614 1'02" Giovanni Gabrieli pian e forte 5'16" Pater noster 1'58" Giovanni Gabrieli 4'18" Giovanni Gabrieli Intonazione quinto tono all quarta bassa 0'36"

52. Browse Biography
    FindBiography .com. Search results for Biography gabrieli, andrea. Results 1 20of 1. gabrieli, andrea WebSite Biography.com. Sponsored Links. Buy Sheet Music.  
    http://www.findbiography.com/DetailBiography.ASP?A=Gabrieli, Andrea

53. Andrea Gabrieli: Missa Pater Peccavi
    The uncle of the great Giovanni gabrieli, andrea gabrieli is often overshadowedby his nephew, yet he was one of the greatest and most approachable composers  
    http://www.hyperion-records.co.uk/details/67167.asp
    
    Extractions: Compact Disc CDA67167 The uncle of the great Giovanni Gabrieli, Andrea Gabrieli is often overshadowed by his nephew, yet he was one of the greatest and most approachable composers of the High Renaissance. Late in his life Andrea composed a Mass for four choirs, but most of his music requires only relatively modest forces; yet it has all the colour, imagination and emotional immediacy that we associate with the best Venetian art of the 16th century. In 1562 Andrea formed a lasting friendship with Lassus while visiting Germany, and the music of Lassus can be seen to be an important influence on his own. Andrea seemed reluctant to publish his work, and consequently much of his music cannot be precisely dated (his instrumental music was not printed until after his death). However, the music on the present disc is remarkably consistent in style, quality and personality, even if it was published over a period of 40 years. The programme presented here is not planned as a liturgical reconstruction, though the movements of the Mass have been separated by instrumental items. Overall, the mood moves from sorrow and penitence to reconciliation and joy. The Missa Pater peccavi is one of three masses for six voices printed in 1572.

54. Sleeve Notes - Andrea Gabrieli: Missa Pater Peccavi
    andrea gabrieli (c15101586). Missa Pater Peccavi. Excerpts fromthe sleeve notes, Just as, to most people, the name 'Bach' on its  
    http://www.hyperion-records.co.uk/notes/67167.html
    
    Extractions: ANDREA GABRIELI (c1510-1586) Excerpts from the sleeve notes At a time when Italian music was dominated by Flemish composers, Andrea Gabrieli was a native Venetian, born around 1510, probably in Cannareggio in a northern part of 'the floating city', where he became organist of the Church of San Geremia. He may have sung at the basilica of St Mark's as early as 1536, but was unsuccessful when he applied for the post of second organist there in 1557; the successful applicant was Claudio Merulo, whom Girolamo Diruta claimed was the finest player in Italy. Andrea eventually succeed Merulo when the latter became first organist in 1566, and finally became first organist in 1584. A year later his nephew Giovanni joined him as second organist. Neither of the Gabrielis ever became maestro di cappella, but both wrote large amounts of church music for St Mark's and other Venetian musical establishments. Andrea was also a successful composer of madrigals and festive secular music. He seems to have travelled little outside Venice, but an important journey, in the company of his nephew, was to Germany in 1562, when they accompanied the Munich court on a state visit to Frankfurt-am-Main. At this time Andrea formed a lasting friendship with Roland de Lassus, whose music was an important influence on his own. In his Grove article on the Gabrielis the late Denis Arnold points out that, although the Venetian printing trade was flourishing, Andrea seems to have been reluctant to publish his work, and consequently much of his music cannot be precisely dated. Indeed, his instrumental music was not printed until after his death, mostly in editions overseen by his nephew. However, the music on this disc is remarkably consistent in style, quality and personality, even if it was published over a period of more than forty years. Our programme is not planned as a liturgical reconstruction, though the movements of the Mass have been separated by instrumental items. Overall, the mood moves from sorrow and penitence to reconciliation and joy.

55. Gabrieli, Andrea
    Recorded Recorders Composers. Küng 'Rippert' Alto- Click to return to RecorderHome Page Compiled by Nicholas S. Lander Christopher Short. andrea gabrieli.  
    http://members.iinet.net.au/~nickl/cds/composers/gabrieliandrea.html

56. Early Music Chicago Composers
    Guillaume; gabrieli, andrea (c. 15101586) Dr. Estrella's Dictionarygabrieli, andrea Google Web Directory gabrieli, andrea; gabrieli  
    http://earlymusichicago.home.attbi.com/composers.htm

57. Andrea Gabrieli
    Anniversaries for years 2003, 2004, 2005, 2006, 2007, 2008. andrea gabrieli.Born appr. 1533, Venezia (Italy) Died 1585, Venezia (Italy). Life.  
    http://www.classical-composers.org/cgi-bin/ccd.cgi?comp=gabriela

58. San Francisco Bach Choir: Andrea Gabrieli
    Repertoire. Composers. andrea gabrieli (c. 15101586). andrea gabrieliwas an Italian organist and composer. He wrote madrigals, motets  
    http://www.sfbach.org/repertoire/gabrielia.html

59. UTA Concerts Recordings At The UTA Libraries
    Details. gabrieli, andrea, Ricecare del sento uno, UTA Guest SaxophoneQuartet Recital, CON 900404, Tape Details. gabrieli, andrea, Ricercare,  
    http://libraries.uta.edu/concerts/compGM.asp
    
    Extractions: Composer Composition Tape Name Call Number Gabel, Gerry Cantos de Lorca Texas Composers Showcase Concert CON 900502 Tape Details Gabel, Gerry Cantos de Lorca UTA Student Chamber Strings Concert CON 900502 Tape Details Gabriel, Menalt Tiento partido de mano izquierda The Faculty Organ Recital CON 870901 Tape Details Gabrieli, Andrea Ricecare del sento uno UTA Guest Saxophone Quartet Recital CON 900404 Tape Details Gabrieli, Andrea Ricercare UTA Trombone Choir CON 941104 Tape Details Gabrieli, Andrea De Profundis Clamari UTA Brass Ensemble CON 900311 Tape Details Gabrieli, Giovanni Sonata Pian e Forte (1597) Chamber Singers and The Holiday Singers CON 811101 Tape Details Gabrieli, Giovanni Sonata Pian'e Forte "Flute for Thought" CON 990406 Tape Details Gabrieli, Giovanni sonata Pian E Forte UTA Brass Ensembles CON 881002 Tape Details Gabrieli, Giovanni Ricercar del doudecimo tuono UTA Brass Choir CON 940404 Tape Details Gabrieli, Giovanni

60. Rental Catalog G(1)
    G. (gabrieli, andrea Giuliani, Mauro G.) Previous Page Next Page  
    http://www.presser.com/catalogs/Rental/RentalWebG1.html

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