Geometry.Net - Composers: Cardew Cornelius

Treatise - Cornelius Cardew - An Animated Analysis
http://www.blockmuseum.northwestern.edu/picturesofmusic/pages/anim.html
Untitled Document
cardew, cornelius. Stockhausen Serves Imperialism. Latimer New Dimensions, Ltd.,1974. cardew, cornelius. Notation Interpretation. Tempo, (Summer 1961).
http://www.blockmuseum.northwestern.edu/picturesofmusic/pages/biblio.html

Extractions: Dimensions, Ltd., 1974. 80, 83, 85. Cardew, Cornelius. "Notation - Interpretation." Tempo , (Summer 1961). 21, 23, 27, 29. Carr, Robert. "Untitled Review, Hat Now Cardew Recording." Fanfare (July/August 2000). 159-160. Dennis, Brian. "Cardew's Treatise: Mainly the visual aspects." Tempo , (June 1991). 10-16. Gann, Kyle. Painter Envy, The Village Voice , July 23, 1996. Gehrkens, K. W. (1930). Music notation and terminology. Chicago ; New York, Laidlaw brothers: vii, 168. Gregorio, Guillermo. Personal Interview. 10 July 2001. Feldman, Morton. The Anxiety of Art.
Cornelius Cardew : First Movement For Sting Quartet - Médiathèque De L'Ircam �
Translate this page First Movement for Sting Quartet de cornelius cardew note de programme,instrumentation, enregistrements, partition.
http://mac-texier.ircam.fr/textes/c00000447/n00002930/
Musica.co.uk
cardew, cornelius Four principles on Ireland, Four principles on Ireland cardew,cornelius Price £12.00 Despatch Time Normally 4 Weeks, Add cardew, cornelius
http://www.musica.co.uk/musica/screen__ADVSEARCH/ARTIST__Cornelius/dbselect__Pop
Alphamusic - Thalmann
Translate this page Klavier- und Cembalomusik CD cardew,cornelius (1936-1981) - Thälmann-Variationen.Startseite, International Customers click here! Suche, Profisuche. Angebote,
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Extractions: unsere Produktdatenbank wird derzeit aktualisiert. Daher können wir Ihnen im Augenblick nicht das von Ihnen gesuchte Original-Produkt anzeigen, sondern stellen Ihnen interessante Auktionen zu Ihrem Suchbegriff vor. Melden Sie sich jetzt bei Ebay an und bieten Sie für diese interessanten Produkte mit. Ihr Alphamusic-Team Produkt Preis Gebote Endzeit BS4 Stadion Postkarte Chemnitz Ernst Thalmann EUR 1.00 Dr. Thalmann: Zell - Fit EUR 1.00 RITA THALMANN *Frausein im Dritten Reich* EUR 1.00 Rita Thalmann / Jochen Klepper Biographie EUR 7.00 Alle 4 Artikel bei eBay aufrufen Ausschlussklausel
Alphamusic - The Great
Translate this page Februar 2003. Cover vergrößern, cardew,cornelius (1936-1981) The Great LearningCD (Kammermusik) DGG, ADD, 71/68 VÖ-Datum 8.10.2002 Bestell-Nr.
http://www.alphamusic-shop.de/309/6233309.html

Extractions: unsere Produktdatenbank wird derzeit aktualisiert. Daher können wir Ihnen im Augenblick nicht das von Ihnen gesuchte Original-Produkt anzeigen, sondern stellen Ihnen interessante Auktionen zu Ihrem Suchbegriff vor. Melden Sie sich jetzt bei Ebay an und bieten Sie für diese interessanten Produkte mit. Ihr Alphamusic-Team Produkt Preis Gebote Endzeit RAYMAN 2 - THE GREAT ESCAPE / N64 / WIE NEU!! EUR 16.05 Diana Ross - All The Great Love Songs - TOP! EUR 1.00 1914 - The Great War EUR 13.50 RAYMAN 2 *THE GREAT ESCAPE* EUR 2.00 *** NEU*** The great Andrew Lioyd Webber C, EUR 1.00 Tom Petty CD -Into the great wide open EUR 1.00 THE GREAT INDIAN WARS 1840-1890 VHS 96 Min. EUR 9.00 VHS THE GREAT WHITE HYPE EUR 1.00 Erich Kunzel / The Great Movie Scores From... EUR 9.00 THE GREAT DECEIVER cave in 10*(AT THE GATES) EUR 5.00 CD: The great pianists (Alte Aufnahmen) EUR 3.00 DIANA ROSS All The Great Love Songs EUR 5.00 The Great Impressionists, Prestel EUR 15.00 Tom Petty - Into the Great Wide Open CD EUR 1.00 Trance Voices *The great.vocal Trance anthems EUR 1.00 1914 The Great War dt. top Zustand
MIT Music Library News Fall '94
Score. Mu An28.2 sym cardew, cornelius. The east is red; violin and piano. Scoreand part. Mu pts C178 eas cardew, cornelius. Mountains; solo bass clarinet.
http://libraries.mit.edu/music/news/994/scores.html
Free Music Download, MP3 Music, Music Chat, Music Video, Music CD, ARTISTdirect
cornelius cardew Overview Family Tree. Christopher Hobbs, Ensemble Pieces,Cello. See All cornelius cardew Also Appears On. Related Artists, top.
http://www.artistdirect.com/music/artist/card/0,,411891,00.html

Extractions: Cardew was a chorister at Canterbury Cathedral for eight years, and he later studied at the RAM. He received a scholarship from the RAM in 1957 to study electronic music in K¶ln. He served as an assistant to Stockhausen from 1958-60 and collaborated with him on the composition Carr©. After a period as a graphic designer, Cardew became professor of composition at the RAM in 1967. ... more
Alphamusic - Cornelius Cardew
Translate this page Februar 2003. Cover vergrößern, cardew,cornelius (1936-1981) Treatise (1963-1967)2 CDs (Kammermusik) HAT, DDD, 98 VÖ-Datum 11.1.2000 Bestell-Nr.
http://www.alpha-musikshop.de/157/1811157.html

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Alphamusic - Four Principles
Translate this page Februar 2003. Cover vergrößern, cardew,cornelius Four Principles On Ireland AndOther Pieces CD (Pop/Rock) Ampersand, AAD, 74 VÖ-Datum 18.9.2001 Bestell-Nr.
http://www.alphamusic-shop.com/690/4216690.html

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Dedication To Cornelius Cardew (March 18, 1982) By Morton Feldman
Dedication to cornelius cardew. by Morton Feldman. On 16th May 1982, the corneliuscardew Memorial Concert took place in the Queen Elizabeth Hall, London.
http://www.cnvill.demon.co.uk/mfcardew.htm

Extractions: [Morton Feldman Page] [List of Texts] Born in 1936, the British composer Cornelius Cardew was killed on 31st December 1981 near his home in Leyton, East London, by a hit and run driver. On 16th May 1982, the Cornelius Cardew Memorial Concert took place in the Queen Elizabeth Hall, London. The programme booklet for this event included essays, photographs, and bibliographical material about Cardew's life and work, plus a group of short tributes, entitled "Dedications", by some of his friends. These "Dedications" included the following note by Feldman (p26 of the booklet): For an artist, it is not one's conscience, but one's talent , making cowards of us all. Cardew's courage to dismiss an earlier abstract artistry of his own is indeed heroic. His career bears a comparison to D. H. Lawrence. Both set aside an evocative use of the language of their medium for a kind of "message" of sorts. Cage in his own way did likewise. In this regard Cornelius Cardew is not in bad company. However, it is in a work such as The Great Learning which I feel Cardew found a unique equanimity of means between a musical poetry and his political beliefs - something akin to what Christian Wolff is doing with similar concerns. As perhaps the last indigenous esoteric composers surviving on this planet, I deeply mourn Cardew's death. He wrote beautifully about my own music and played it exquisitely. Perhaps we are not that far apart than one might think. There will always be ... Cornelius Cardew.
Cornelius Cardew Memorial Concert
cornelius cardew Memorial Concert. Credits. cornelius cardew was killed on the13th December 1981, by a hit and run driver near his home in East London.
http://www.qserve.net/~wrr/Organum/discog/IMP28204.html

Extractions: Performers Laurie Barker Alex Balanescu David Bedford Gavin Bryars Steve Calder Carol Chant Michael Chant Horace Cardew Walter Cardew Bob Coleridge Kate Collison Patrick Foster Maranda Cullylove Lou Gare Liam Genockey Gerry Gold Alec Hill Christopher Hobbs Peter Howe David Jackman Tim Joss Shelia Kasabova Francis Kelly Tim Mason Melinda Maxwell Ian Michell Tim Michell Janos Negyesy Michael Nyman Michael Parsons Geoff Pearce Elizabeth Perry Tom Phillips Eddie Prevost Karen Rhodes Keith Rowe Frederic Rzewski Brigid Scott-Baker Hugh Schrapnel Dave Smith John Tilbury Michelle Todd Emily Underwood Jane Wells John White Sylvia Williams Bob Wolford AMM Eisler Ensemble English Chamber Choir (Dir. Guy Protheroe)
The Great Learning
cornelius cardew the great learning the scratch orchestra LP Deutsche Grammophon2561 107 Germany, 1971 CD - Cortical Foundation CORTI 21 USA, 2000. Tracks.
http://www.qserve.net/~wrr/Organum/discog/GreatLearning.html

Extractions: Though David Jackman is not mentioned anywhere on the sleeve, he was an active member of the Scratch Orchestra at this point and is probably one of the massed singers. Some of the other members mentioned in the liner notes (by Cornelius Cardew) are: John Tillbury, Gavin Bryars, Michael Parsons, Howard Skempton, Michael Chant, Christopher Hobbs, and Hugh Shrapnel - each of who recruited friends, family and students to swell the ranks.
Cornelius Cardew's We Sing For The Future
cornelius cardew We Sing For The Future! Frederic Rzewski, piano.cornelius cardewWe Sing For The Future! Twenty years
http://www.otherminds.org/shtml/Cardewcd.shtml

Extractions: Twenty years on, Cardew's music still provokes controversy. Even amongst his many admirers, his later 'political' music in particular creates unease and perhaps misgivings. The relation of the music to its 'programme' and to the lofty aims it purports to serve is problematic enough, so let us remind ourselves what Cardew himself wrote about this music in the seventies: "I have discontinued composing music in an avant-garde idiom for a number of reasons: the exclusiveness of the avant-garde, its fragmentation, its indifference to the real situation in the world today, its individualistic outlook and not least its class character (the other characteristics are virtually products of this). "We Sing For The Future is a composition based on a song. The song is for youth, who face bleak prospects in a world dominated by imperialism, and whose aspirations can only be realised through the victory of revolution and socialism. In the framework of a solo piano piece lasting about 12 minutes, something of this great struggle is conveyed. The music is not programmatic, but relies on the fact that music has meaning and can be understood quite straightforwardly as part of the fabric of what is going on in the world."
Waggish: Graphic Scores: Cornelius Cardew And Barry Guy
Graphic Scores cornelius cardew and Barry Guy. The Block Museum has a niceintro to the Voynich Manuscript of music, cornelius cardew's Treatise.
http://www.waggish.org/archives/001055.html

Extractions: 11 Ways to Proceed Main The Block Museum has a nice intro to the Voynich Manuscript of music, Cornelius Cardew's Treatise My favorite version that I've heard, if it actually is a version, is AMM's The Inexhaustible Document (that would be Treatise ), which spends over an hour on "Page 9." For somewhat less cryptic graphic scores, take a look at Barry Guy's stunning work Posted by A. at January 16, 2003 11:57 PM
On Indeterminate Notation - John Tilbury Celebrates Cornelius Cardew's Experimen
On indeterminate notation John Tilbury celebrates cornelius cardew's experimentalscores at COMA Contemporary music making for amateurs.
http://www.coma.org/article_2.htm

Extractions: News Articles John Tilbury celebrates Cornelius Cardew's experimental scores "Notation is a way of making people move", Cornelius Cardew once wrote. 'Making' was perhaps an inappropriate choice of word; it was, certainly, never in Cardew's philosophy to make people do anything. But in the fifties the relationship between composer and performer had become a coercive one: play this loud, play that louder, do this quickly, wait, stop. Notations had become a sequence of commands constituting the composer's control strategy. Inspired by the writings and compositions of John Cage, the experimentalists freed the performer from his incarceration by the serialists, restoring the mutuality of the relationship between composer and performer; the American composer Christian Wolff, for example, notates not what to play, but how to play. Cardew's notations from the sixties - Autumn 60, Solo with Accompaniment, Memories of You, The Great Learning and, in particular, the mammoth Treatise, are always challenging, never prescriptive: like seeds embedded in their environment, they depend on the surrounding soil - the contemporary musical climate, the individual performers - for survival and nourishment. The composer David Bedford wrote: "Speaking as a performer in many of Cardew's early works, it must be said that the experience was totally rewarding. Our creativity was constantly being challenged, and the empathy of the performers, channelled into producing a coherent piece of music despite sometimes sketchy and sometimes paradoxical instructions, was often remarkable. It should be pointed out that none of Cardew's works ever gave total freedom to the performer. The instructions were a guide which focused each individual's creative instinct on a problem to be solved - how to interpret a particular system of notation using one's own musical background and attitudes."
John Tilbury CORNELIUS CARDEW PIANO MUSIC 1959-70.
John Tilbury cornelius cardew PIANO MUSIC 1959~70. Long overdue recording(made in 1996) of some of cardews prepolitical period music.
http://www.matchlessrecordings.com/sleeve_notes/mrcd29.html

Extractions: The score of Material consists of 17 sections of varying length and harmonic character, mostly chordal and sometimes densely chromatic. Sections may be repeated several times, and in an ensemble performance they may be freely counterpointed. Not all of the written notes need necessarily be played; melodic strands which lie hidden within the succession of chords may be revealed by selection from the given pitch-material. In this version three layers are superimposed, and the performance begins with a sequence of dense chromatic clusters. As Cardew suggests in the instructions, the parts are synchronised at the start and then gradually drift apart, dissolving the focus and creating an ambiguous sense of space with multiple images and overlaps.
The History Of Rock Music. Cornelius Cardew: Biography, Discography, Reviews, Li
Translate this page cornelius cardew (Copyright © 1999 Piero Scaruffi Legal restrictions- Termini d'uso ) , /10, Links Links to other sites. IN PREPARAZIONE
http://www.scaruffi.com/oldavant/cardew.html

Extractions: Links IN PREPARAZIONE - AGGIORNATO SOLTANTO AL 1991 Cornelius Cardew (Gloucester, 1936-1981), ex-assistente di Stockhausen a Colonia (1958-60), di Petrassi a Roma (1963-65) e di Cage in America, fu autore di lavori monumentali per il Centre For Experimental Music da lui fondato a Londra e di esecuzioni penetranti di improvvisazione libera con il gruppo AMM, ma una progressiva presa di coscienza marxista lo spinse a ripudiare prima i suoi maestri e poi persino se stesso, accusando tutti di essere complici del Sistema. Cosi' il suo capolavoro, The Great Learning (1968) per coro di non-cantanti, in cui gli esecutori possono compiere qualsiasi rumore con la bocca purche' non sia musicale, non andrebbe neppure citato. Nel 1969 Cardew formo' la Scratch Orchestra, un ensemble aperto per la rappresentazione di musica d'avanguardia ispirato a principi maoisti, con la quale si dedico' fino alla morte a forme piu' popolari di folk militante (come nelle Thalmann Variations su temi di canzoni politiche). Per controllare che la Scratch Orchestra si attenesse ai principi maoisti, Cardew istitui' (con ragionamento tipicamente paleo-comunista) anche uno Scratch Orchestra Ideology Group.
EMusic: Cornelius Cardew
cornelius cardew, See recommendations based on this artist. Four Principleson Ireland and Other Pieces Four Principles on Ireland
http://www.emusic.com/artist/11519/11519053.html
Cornelius CARDEW
Terug naar inhoudstafel kursus , 9700 cornelius cardew. 02.01.1990. PROGRAMMAcornelius cardew Treatise (19631967). (1936-1981). met inbegrip van
http://www.logosfoundation.org/kursus/9700.html

Extractions: Dr.Godfried-Willem RAES Kursus Experimentele Muziek : Boekdeel 9: Literatuur en aktualiteit Terug naar inhoudstafel kursus Cornelius CARDEW Grafische partituren staan in de wereld van de hedendaagse muziek eigenlijk altijd zo'n beetje in een kwalijk daglicht. Zo hoort men vaak dat musici die zich met hun vertolking inlaten, eigenlijk slechte musici zouden zijn, die hun technische onkunde achter het vrijblijvende interpreteren van een stelletje tekeningen zouden pogen te verbergen. Een enkele keer, vooral dan in de kontekst van op zich voor het muziekleven toch al niet belangrijke wedstrijden, kan dit weliswaar voorvallen, maar wanneer we het hedendaagse koncertleven en de samenstelling van de voorgestelde programmas beschouwen, dan moet het toch opvallen dat dit soort partituren maar uiterst zelden voorkomt. Waarom dan, indien het al waar zou zijn dat de interpretatie van dergelijke partituren een lacheding is, schijnen musici deze stukken te mijden ? Er kan toch moeilijk worden aangenomen dat de meerderheid der musici uit het al te zeldzame hout van de werkverslaafde zou zijn gesneden. De werkelijke reden ligt mijns inziens precies andersom ! Musici huiveren vaak voor de opdracht die wanneer men grafische partituren met de nodige ernst wil gaan uitvoeren, aan hen is gesteld. De idee een partituur vooraleer ze te kunnen vertolken , zelf eerst te moeten gaan uitwerken, lijkt hen vaak onoverkomelijk. Het is nu eenmaal vele malen eenvoudiger een stuk volledig uitgeschreven in klassieke notatie, in te studeren, dan mede verantwoordelijk te zijn voor de artistieke vormgeving van een muzikaal kunstwerk. Alleen musici die in hun opleiding of praktijk intensief bezig zijn geweest met 'oude' muziek ( pre-klassieke muziek is hier bedoeld), zijn met dit soort problemen -zij het dan wel in een heel andere vorm- min of meer vertrouwd.

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