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The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Così fan tutte (Clarendon Paperbacks) by Andrew Steptoe,  1990-11-08
Carmen (The Black Dog Opera Library) 
Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera (Musical Meaning and Interpretation) by Naomi André,  2006-01-25
Aida (The Black Dog Opera Library) 
Debussy's Pelleas et Melisande: a guide to the opera with musical examples from the score by Lawrence Gilman,  2010-07-29
The Undergrounds of the Phantom of the Opera: Sublimation and the Gothic in Leroux's Novel and its Progeny by Jerrold E. Hogle,  2002-05-03
Broadway Stories: A Backstage Journey Through Musical Theatre by Marty Bell,  1993-11
When Opera Meets Film (Cambridge Studies in Opera) by Marcia J. Citron,  2010-07-05
Scripts: Librettos for Operas and Other Musical Works by James Reaney,  2004-11
The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century by Anselm Gerhard,  2000-06-15
Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome by Stefanie Tcharos,  2011-02-28
The Impresario's Ten Commandments: Continental Recruitment for Italian Opera in London 1763-64 (Royal Musical Association Monographs, 6) (Royal Musical Association Monographs, 6) by Curtis Price, Judith Milhous, et all  1992-01
Pfitzner's Palestrina: The 'Musical Legend' and its Background (Other Operas) by Owen Toller,  1997-01-01
Musical Symbolism in the Operas of Debussy and Bartok by Elliott Antokoletz,  2007-12-17 |